Showing posts with label American Art. Show all posts
Showing posts with label American Art. Show all posts

Tuesday, July 2, 2013

Meeting Artist Ed Ruscha, The “Father of Google Maps”




Artists Ed Ruscha and Shelly Perkins

Photo Courtesy of Jefferson Chang


Our journey on the “Road to Ruscha” began with an idea and a collaboration of students from various college majors and studies, combined into one group to learn from the past and how it influences the future. Artist Edward Ruscha, who grew up in Oklahoma, was one of the first artists to document the familiar and present it in an art form unlike any others before him. Over fifty years ago in 1962, Ruscha self-published Twentysix Gasoline Stations, a first of a series of photobooks the artist made in the 1960’s and 1970’s.

The highlight to our trip was meeting Ed Ruscha and crew at his Los Angeles suburb studio. His staff was friendly, his friends and family were inviting and his dog was loving. They graciously invited us in and Ruscha took a break from his busy schedule to talk to us and show our group around his studio grounds. So many of the preparations and so much of our trip revolved around this well-known artist who in our minds was almost a fictional character. As we visited people and places on his often traveled route, a few of us joked along the way, W.W.E.D. (What Would Ed Do?)

As the interstate highway system did not yet exist, Ruscha recorded gas stations between Oklahoma City and Los Angeles on his often-traveled Route 66, which at the time was “the” highway road to travel. The last stretch of interstate wasn’t opened until 1984 through Arizona and since then much of the original Route 66 has fallen to disrepair and yet so much is still worth exploring. Much of the road through America’s countryside and urban areas that display signage and images, between visible homes, businesses and roadside eateries, is still there. When the same image or place is viewed often in one’s lifetime, these sites may seem mundane and familiar. However, as time goes on and as these landscapes change, one may recall the buildings and activities that were once there. Later found photographs, maps or paintings of these forgotten once-familiar places, bring on memories of good and bad events one has experienced in the past. Ruscha understood the changes taken place right in front of him and others.

I’ve learned through my experiences, travel informs one’s understanding of space, land, and place in the world. I am a little older than most of the other university students on this trip which allows me a little more insight. I understand we are only on this earth for such a short time. I am intrigued with the American road and landscape, and the history each space contains. As people come and go, the earth and place remain. Although the topography may change, the soil may erode or man-made structures may come and go, the space remains. Within the space lies a history of those who have traveled before and those who will travel after. I believe Ruscha understood this before many others or at least any artists who chose to document the changes. Art critics and writers have even called him the “Father of Google Maps.” Although it is a relatively new technology and a tool many use today, Google Maps is often taken for granted, as images of cities and maps appear at the push of a button.

Finding myself traveling in new unfamiliar places, I search out the land and experience the unknown. Each place I experience brings a new understanding to the past and a new connection. I am intrigued with the new and continually grow from each experience as a little part of it remains with me. As I traveled with our university group, I experienced Ruscha’s America, revisiting his steps to deepen an understanding of the land, places and space he and others have experienced before me. Ruscha’s work emphasizes that people are only on this earth but a moment in time and although the land changes, it remains for the next generation to experience. I feel privileged to have been reminded of our short time on this ever-changing planet and to have met Ed Ruscha in his studio with his friends and family.

- Shelly Perkins

Monday, March 11, 2013

Finding Inspiration in Eugenio Recuenco







I'm back at the University of Oklahoma this semester studying Fine Art. In a search for inspirational photographers, I have found a photographer and a style which I am completely and totally in awe ~ from Madrid, Spain, Eugenio Recuenco.

Already in love with Spain, he gives me more reason to love it. I've had the chance to visit Espana with my husband a few years ago and I completely fell in love with the country. It reminded me a lot of Oklahoma with it's grassy fields and gorgeous horses in the Andalusian region near Cádiz and Rota. Enough on Spain, check out one of their amazing photographers....

Here's a link to his online portfolio for some eye candy. http://www.eugeniorecuenco.com/ As I experiment with my own work, I feel drawn to this photographer's vision. The images have a cinematography feel with fantasy blurring the lines between imagined and real life.

Here's a link to an informational blog containing works by Eugenio Recuenco ~ http://www.wicked-halo.com/tag/eugenio-recuenco

Above are a few of the images I found to be sooo inspiring. Remember ~ nothing is original. So with that, I will make my own work using Recuenco as inspiration for my fantasy photographic project at OU.



The images contained within this blog may be under a copyright law. I am not selling these images but merely using them for my own personal inspiration to make photographic works at the university. ~ SP

Wednesday, February 1, 2012

Pondering Thomas Eakins' The Gross Clinic






Thomas Eakins painted The Gross Clinic which is considered to be my many the greatest 19th-century American painting. This was such a controversial representation during 1876 and yet today when viewers gaze upon it, seems like a dated non-sterile surgical procedure in front of students.

I'm very compelled with this image ~ wondering what was going on in Eakins mind at the time of his painting and if he worried about how it would be received? I wonder how many other people at this time "got" his work? Do you think you would have GASPED in SHOCK if you were living at this time when viewing this work? Do you think you would have been compelled to step closer for a more in-depth look or run away with disgust? Hmmmm... Just pondering.




Thomas Eakins-the artist has been deceased for more than 70 years, therefore no copyright laws have been abused or broken.